The raspberries are finally ripening, and it’s time to go and harvest a few baskets and to visit the warm quiet places at the edges of woods filled only with the sounds of insects humming and buzzing and clicking, and birds singing to each other in the cool darkness among the trees. Though raspberry time is typically June and summer has passed its zenith, the raspberries are finally ripening in my yard and along the back roads I travel. I remember them first in the abandoned hillside pasture across the street from where I grew up, on a hot summer day, barefoot on a narrow dirt trail through the tall grasses.
You can best see the constellations
by lying on your back and dreaming
and in due time the sky is filled with
cavorting gods and goddesses,
love, death, politics, art
all in the air above you;
yet concentration on one
will cause them all to lose their magic.
So I, facing the surprise berry patch,
focusing to find one berry, and then another
while the clean June sun spilled over my head
warming the smell of berries and leaves and dirt
and small wild plants brushed the soles of my bare feet,
became at the same time a small person
faced with a raspberry clump taller than me,
surprised to find something
so joyfully abundant
and free for the taking
where last week there had only been leaves
along this path,
and, while watching the clouds
forgetting the berries
in both ages
my hands found berry after berry
and my heart found dreams.
Raspberry Dreams ©2006 Bernadette E. Kazmarski
See a few more photos of raspberries on Today.
Paths I Have Walked, collected poems.
I’m proud to offer a folio of my poetry
Paths I Have Walked: the poetry and art of Bernadette E. Kazmarski
FROM FOUR ANNUAL POETRY READINGS AT ANDREW CARNEGIE FREE LIBRARY & MUSIC HALL IN CARNEGIE, PA
People who attended one or more of my poetry readings encouraged me to publish some of my poetry in a book from the beginning.
Once I completed my 2010 poetry reading, my fourth featuring the final piece of artwork in the “Art of the Watershed” series, I decided it was time to publish something and it should be those four poetry readings.
Poetry books are not best-sellers; it’s difficult to convince a publisher to risk effort on a beginning poet, and while self-publishing is the best option it’s not inexpensive and once you’ve got the book, someone’s got to market it. Plus, I’m a graphic designer and I designed books for years, and I want things my way.
All of this is a recipe for a little bit of trouble, but I decided the book was well worth the effort so I designed the book myself and had a set printed—no ISBN or anything formal, but it’s a start! I’m really excited to offer it.
Books are 4.25″ x 11″, 40 pages of information and poetry, with glossy covers featuring “Dusk in the Woods” and little thumbnails of all four pieces in “Art of the Watershed”.
$8.00 each plus $2.50 shipping (they are oversized for mailing first class).
About the books and the poetry readings
My biggest inspiration for poetry, prose and artwork is the world right around me, and I enjoy the opportunity to share it from the perspective of one who walks and hikes and bikes and carries a camera, art materials and journal everywhere—even around the house—so the inspirations are fresh.
In December, 2006, two of my poems were chosen to be published on a section of the Prairie Home Companion website entitled “Stories From Home/First Person” for submissions of writing about the place we feel most familiar. I’m a long-time listener to PHC and reader of Garrison Keillor’s books as well as a daily listener to The Writer’s Almanac featuring news about writers and writing and of interest to writers as well as a poem, all compiled and read by Keillor himself. I was astonished to find my poems were among the first chosen from apparently thousands, and so happy to be able to share them with a potential audience of so many similarly inclined writers and readers.
My poetry readings and art exhibits were the vision of Maggie Forbes, executive director of the Andrew Carnegie Free Library & Music Hall, after learning of my publishing of those two poems. I owe her many thanks for encouraging me to present this combination of my visual and literary art, a first for me. I love that building, every inch of it, and the opportunity to bring people in to visit is an honor.